Monday, September 19, 2011

Emmy Recap

Ahh its that time of year again.... of course I mean the beginning of red carpet season... what did you think??

Kicking off the season were the Emmy's last night, which, even if the show isn't all that great, the red carpet provides something at least nice to look at, and usually sets the trend for what we can expect to see at the award shows to follow.

So what consistencies seemed to pop up all night??

RED.. and i mean RED. The bold hue was everywhere, and most of the dresses, in fact could stop you in your tracks. Kate Winslet, Nina Dobrev, Lea Michelle, just to name a few all donned the crimson color for the evening's event.
Kate Winslet 2011 Emmys

Lea Michelle 2011 Emmys
The best of them though (and I actually think of the entire night) was the Donna Karan frock worn by Nina Dobrev (she's from CW's Vampire Diaries for all of those you haven't been sucked into the blood sucking craze... don't worry, I had to look it up too). She looked amazing. The fit, the length, the proportion of the dress were all spot on, as were her hair, make up and accessories. She was one of the only people of the night that I could honestly say I liked everything from head to to toe.

Another lady in red that I was actually a huge fan of was Kelly Osborn.... not a norm for me. While she opted for a shade of ox blood instead of stop sign the silhouette of the dress made her look amazing, and the color was remarkable on her complexion.  The other thing I liked was her "so blonde its almost pink" hair.  While I don't think it works with any other color than the color of her dress.... it was perfect for that moment.

Another trend: Metallic

This trend was a difficult one to pull off... and many didn't. Jennifer Carpenter glimmered in her sequined gown, and Christina Hendrix decided to shine a little light on her not so little assets. (Seriously, are those bad boys ever under control??)
Jennifer Carpenter 2011 Emmys


Christina Hendricks 2011 Emmys
It was Claire Danes who perfected the sparkling look though.  This artsy number by Oscar de la Renta was stunning, and made her eyes look absolutely gorgeous.
Claire Danes Emmys 2011
And while it's not quite metallic, but it is super shiny and a shade of bronze, I have to give it up to Kristen Wigg. While remarkably funny, the ladies of SNL (slash its alumni) just always seem to miss the mark on the carpet (i.e. Amy Poehler, also attempting the metallic frock).
Amy Poehler Emmys 2011
Kristen looked gorgeous last night though. The color is a little odd when you see it mixed in with all of the rich shades of red and blue that dominated the evening, but on her, complimented perfectly by chestnut hair, I thought the Zac Posen dress was a very welcome step toward improvement.
Kristen Wigg 2011 Emmys
And finally we have Blue. The tried and true color could be seen in varying shades from navy to turquoise.. and again, some got it, some did not.  Diana Argon wore this electric number and it pains me to say... got it all wrong.  the silhouette and hair are waaaaaay to old looking for the young starlet. And it doesn't help that the dress is super wrinkly.

Diana Argon Emmys 2011
Someone who did get it right though, was Cobie Smulders. The vintage silhouette is offset perfectly by the ultra contemporary hot turquoise hue. Love it.
Cobie Smulders 2011 Emmys
And, given the runway trend I talked about last weekend... and the fact that EVERYONE else is talking about it, I can't not talk about Gwyneth's look.  Everyone was abuzz with this love it or hate it look.  I.... I'm torn. It's super 90's and she looks a little costume-ie. I think I've come to the conclusion that I love the idea of the dress... but in fact really dislike the actual dress. For me the top is a deal breaker.... If you're going to go sheer pick your target zone. If you bear your midriff it's totally unnecessary to have a nearly (actually, it WAS) see-through top on.  Its sheer overkill.

Gwyeneth Paltrow 2011 Emmys
What about you guys? What were your hits and misses of the night?

Thursday, September 15, 2011

Gucci: Made in Italy

As I mentioned earlier this week, a recent Gucci trunk show got me thinking a lot. Not only did it remind me of that sheer trend i'm loving right now, but it also reminded me that this is a brand with some serious history. While most of us know the Gucci that the Tom Ford built in the 90's that is one of today's leading luxury brands (or a brand name thrown out quite frequently in various rap songs), Gucci is actually a brand built on a solid 90 year history with a legacy of sophistication and craftsmanship. The Italian power house of the luxury goods industry has locked in its fair share of instantly identifiable hallmarks of the brand. This recognition has also made it one of the most sought after brands in the world (actually in 2007 the Nielsen Company named them THE most desirable luxury brand in the world).

Whether it be the iconic horsebit, diamonte pattern, interlocking GG's, "The Web" (that bold green red green stripe), or bamboo details they have all come to embody a brad that is deep rooted in history, heritage and legacy.  And we all know, those are icon's that have also made the brand incredibly susceptible to knock offs. And while it may be easy to score a bag or wallet in the back room of a canal street store that looks remarkably close to the real thing.... that made in China purchase won't contain that signature "Made in Italy" craftsmanship that Gucci is renowned for.... and what accounts for its sometimes astronomical price tags.

Maintaining a dedication to locale and quality comes at a price, but as brands like Gucci can vouch for, it's a price that people are willing to pay, and I'm sure the entire city of Florence (Where the company was founded by Guccio Gucci in 1921) is thankful for that.  In Italy alone, the Gucci Group employs over 45,000 people. It's the  same Italian techniques that have come to define the impeccable quality of the brand, and have gone unchanged in their 90 year history.  That Italian dedication to craftsmanship is the very reason Guccio Gucci decided to start his business in Florence (He actually was inspired to create his own luxury leather goods shop     while admiring the luggage he encountered on a daily basis as a bell hop at The Savoy in London, where his family  had immigrated to sometime earlier).  It wasn't luggage though that started the business and gained him his strongest clientele. It was in fact, saddle bags and the illustrious world of equestrian.... hence all of the Gucci icons being equine related.  Actually, there is something unique about all of those little icons... I'll break it down simply:

Bamboo: While most people instantly think horsebit, or interlocking GG's when they think Gucci, bamboo was actually the first of the Gucci icons.  Introduced in the 1947 wartime shortages made it too difficult to get traditional materials.  Natural fibers like hemp linen and jute became the materials of choice, and the burnished bamboo was the perfect accompaniment. The fact that the curvy shape was reminiscent of a saddle fit right in with the then-clientele's aesthetic, and remains a fan favorite to this day.

The Diamante Pattern: Also a result of wartime shortages, the diamante pattern, small dark brown diamonds criss-crossing a tan background was the first of the house's signature prints. Developed in the 30's the diamond pattern was woven into hemp and used for luggage.  While its something we see on almost a daily basis in the bigger cities, this was actually widely unused except through the 50's. It wasn't until current Creative Director Frida Giannini discovered it in the archives that it made a resurgence is an increasingly popular fabrication.

The Web: The bold green red green stripe was introduced in the 1950's and was inspired by the traditional saddle girth (the strap that kept the saddle snuggly fit to the horse's back). It happens to be the centerpiece of one of Gucci's most iconic bag... The Jackie O (The bag was named after the first lady after she was seen photographed carrying the bag on several occasions while working as an editor for Doubleday). More than 60 years later the web can still be found on countless items from sunglasses to bags and sometime in novelty contrasting colors.


The Horsebit: In 1953 the horsebit that had been used to detail heavy saddle bags earlier in the decade was miniaturized to adorn the top of a supple men's leather loafer.  The rest is history.  Ever since the horsebit has been the icon of choice Gucci brand and been used as detailing on handbags, shoes, clothing, jewelry and more.   In the 1980's the Gucci moccasin with horsebit detail entered the permanent collection of the Metropolitan Museum of Arts Costume Institute.



Interlocking GG's:  The 60's also saw the introduction of the interlocking GG logo, and it's been prominently displayed by the the upper echelon the world over ever since.  The initials of its founder Guccio Gucci have been used together has fastenings for bags, buckles on belts and a million and one other things.  In the 50 plus years of its existance it has undergone many transformations, being rendered in metal, burned into velvet, squared off or to form a perfect circle.  No matter which shape it takes, the GG's still remain instatly recognizable.

As for me, my own designer shoe history starts with Gucci.  It was these turquoise ballet flats with modified horsebit detailing that were the first to enter my collection... they were my designer shoe gateway drug if you will.  They are a great example of Gucci's current direction.... a dedication to heritage while striving for modernity.

Monday, September 12, 2011

Sheer Madness

A recent Gucci trunk show (my work has perks from time to time) gave me a little wardrobe inspiration. The layers and chiffon and flowers and bold bright colors of their Fall 2011 collection are lush and indulgent. Decadent would be nice word to sum it all up. But it was this dress that came out at the end (like Rodarte on acid... aaamazing!) that reminded of how much I am in love with all of the sheer dresses and skirts popping up all over the runway over the past few seasons, and still going strong into the latest Spring shows.
Gucci Fall 2011 RTW (from Style.com
From Prabal Gurung's latest, to Givenchy, Chloe and Alberta Ferretti, everyone is jumping on the translucent train.
Prabal Gurung Resort 2012 (from Style.com)

Givenchy Spring 2011 Couture (from Style.com)


Chloe Spring 2011 RTW (from Style.com)

Alberta Ferretti Spring 2011 RTW (from Style.com)

With a more "lady-like" sensibility setting the trend in fashion these days, designers are finding new and sophisticated ways to  give a bit of sensuality to their clothing.  There's something about hinting at what's underneath an article of clothing, than actually showing a  ton of skin that is completely sexy.

That's what I love about this skirt of my own.

The varying sized tight pleats, tea length and cream color make it classic (and almost matronly) but when you walk, and the light hits it just right, you can see through the skirt revealing a much shorter underpinning and a bit of leg. Not, so "Little House on the Prairie" anymore. The light, ethereal skirt is great paired back to a structured leather top and boots for a nice contrast in texture.  The vintage pearl headband adds another tough of nostalgia to the look.

The diaphanous look is definitely one I think I'll be testing out and playing around with over the next few seasons.  What are your thoughts on this  transparent trend?

Oh, and speaking of Gucci, check in on Thursday for a post on the iconic brand.

Wednesday, September 7, 2011

Cameo from a Capricorn

I was recently asked who my style icons were. Strangely enough, that question through me for a bit of a loop.  You would think I could rifle off celebrity names like nothing, but the first and only thing that came to my head was "my mom, circa 1977". She has a great sense of style now, and always has, but every time I put an outfit together and love, 9 times out of 10 I can say, "I bet my mom would have worn this when she was my age."  I remember growing up my older sister and I didn't play dress up in costumes like the other girls... we played dress up in Mom's closet, and for good reason. My mom's wardrobe housed some pretty inspirational pieces for any young fashionista.Flowing chiffon maxi dresses from when she first started dating my dad that made you look like a lemony Greek Goddess, or little black cocktail dresses that made me feel like Julia Roberts at the tender age of 5 (much to my mother's dismay).

After a few recent trips back home to my parents house, and rifling through tons of old pictures affirmed just how stylish my mom really is. Pictures of me as a baby, pictures of my grandparents wedding, pictures of my parents on their honeymoon, they were pretty wonderful to see. It was those pictures of my mom though, that reminded me that I probably was born in an era too late for my soul, and that I have a pretty chic mom.


My mom and dad on their wedding day...
She's also responsible for giving me one of the most timeless accessories any girl can ask for- a genuine cameo.  There has always been something intriguing to me about the Victorian era in terms of fashion. I was always curious about how details that are so incredibly feminine can end up looking a bit... Gothic. Go figure, I'm drawn to dichotomy (have I mentioned that yet?) I'm a bit of a girly girl and tend to be drawn to lace and ruffles and bows, all very prevalent of the era, so along with that came my fascination with cameo's a piece that has come to be so representative of the time period. I had a few fakes growing up, the kind made of resin or plastic.  But starting in high school, set out to find a real one. I'm not much a jewelry person, I have the few pieces I wear all the time... and the incredible pieces given as gifts, but I've never really "invested" in jewelry. A cameo though, was something I was willing to invest in.  So the hunt began, and it went on, and on and on. I traveled all around the world, and still never came up with the perfect one. Even touring through Italy for months on end, I was determined I would come back to the US with the perfect one, but no dice. Nothing called to me.  I had almost given up hope.  Then, one Christmas morning about 3 years ago, I opened a little box from my mother, and inside was a gorgeous vintage caramel colored cameo pendant on a gold chain.  It was perfect, exactly what I had been looking for! I actually teared up at the sight of it.  Of course I couldn't find what I was looking for, because I was looking for something new! I had a vision of something with weathered character, something that looked, "authentic"... more so in terms of time rather than materials.  My mother (who always knows best) knew that vintage was the way to go with a piece like this, and of course she was right.  Now, its one of my most frequent accessories.

If I may make a bit of a personal aside, this scenario is very typical of my mom. While we all know she has great taste, she often forgoes the latest for herself so that she can enable the addiction to clothes all four of her daughters seem to have.... (hmmm now i know where we get it from!) She's always incredibly selfless, giving, and generous with the time, talent, and impeccable taste.  (Not just to us four girls who are part of the gene pool I should add. She's spent the past 15 years devoting those remarkable qualities to help hundreds of children grow as a Teacher, Technology Director, Choir Director, Drama Coach, Debate Coach, and Special Needs Tutor at the very same school I went to as a kid).

Now, back to the cameo- I mentioned a few times earlier there being fake cameo's and genuine ones and I'd like to take this time to put my Well-Versed Wardrobe two cents in on this.  Most people think of cameo's as a type of design seen in jewelry, generally a girl in profile (or a surprise appearance by a celebrity if you really, really aren't into fashion). This is not always the case though. A cameo though, is actually any piece,  made from a particular method of carving. That would be the main point of difference between a real and a fake.... the fake ones made of plastic or resin are cast pieces layered on top of each other  The real ones are carved out of many layers of stone, shell or glass, and worked in relief.  Cameo's can be dated back all the way to the time of ancient Egypt and Greece. Then they were carved from lava rock, onyx, and semi precious gemstones (particularly agate). A small motif was chiseled away in intricate designs to tell a story, or to act as somewhat of an i.d. People would wear them as a badge of rank or status.Today, traditional cameo's are worn as jewelry and made of  shell  or glass.


They were also made like this in the time of Queen Victoria, who is responsible for skyrocketing the cameo, as we know it to fame.The most common shell for a cameo to be made of is the conch shell (you know, the ones that you can hear the ocean in) which is what gives it that traditional  pinky coral color.


But it is important to remember that the Cameo is all about a method, not a material, so depending on what it is carved out of it can have  a range of colors from black to slate blue, to the most powdery of pinks.  Mine happens to be made of sardonyx shell which is why it has that cafe latte color. No matter which way you chose to go, its a jewelry piece that will always be timeless.

Monday, September 5, 2011

Happy Labor Day!

Happy Labor Day all! I hope you are enjoying the last long weekend of the season like I am. Check in Wednesday for the Well Versed Wardrobe's latest installment.

xoxo, Coleen